cabinet d'architecture durable

The inside of each of the screening rooms has its own identifying color and its own characteristic lighting pattern. The interior apartments are made from warm surfaces of parquet flooring and natural stone tiling. Large illuminated brass light fixtures welcome the guests as they arrive. Ausbildung von Bruno DERNE. And while the guests move towards the music, golden lights pulse above them in sync with the beat. The transition from the hallway into the team spaces receive special design attention. Garden platforms and wide stairs mediate the difference between the levels. To help their potential clients envision modern high quality office space, the Becken Development Group asked Ester Bruzkus Architekten to plan and design the same office space for various kinds of tenant users. Thin strips of lighting are arranged in angular patternst that do not necessarily correspond to the geometry oft he rooms. The plan alternatives also demonstrate how a tenant could use an entire floor, or parts of any floor. Set designs for Miele's Artline were used to present the new Miele products. The furnishings were designed specifically for Ahmet Bilir’s salon. The two bathrooms are opulent compositions of lush material contrasts and surprises. Arriving by elevator, one comes first to the kitchen, and then to the corner fireplace, designed to conceal an immobile concrete column. A central hallway runs between the cabins and leads to the treatment rooms, each of which are completely white. See more ideas about green house design, house, house design. In the design, discrete volumes are in dialogue - the fireplace, the kitchen, furniture - to scale and zone the large public room. Winner of Verlag Callwey's First Prize, Most Beautiful German Apartment, BEST OF INTERIOR 2018. Upstairs, the 63 guest rooms are carefully detailed in contrasts of dark and light, ornamented with woven leathers, dark woods and reflective materials. An area of garden is inclusive. The apartment is inside one of the very first ground-up buildings built in the Prenzlauer Berg neighborhood of East Berlin after the fall of the Wall. The lively black and white terrazzo is used again as a surface for the sinks. "This brings excitement to the interior." Another playful use of symmetry is the horizon line that bisects all front rooms exactly at eye level. Thank to the shadow gaps around the circumference, the box is perceived as an independent modern element that stands in contrast to the existing building, while simultaneously reflecting it. Using bright colors, custom furniture, clever purchases and cost-effective transformations, Ester Bruzkus Architekten have enlivened, unified and updated the collaborative workspace for Futurice. Ester Bruzkus, Patrick Batek, Holger Duwe (for Bruzkus Batek). To help us develop these endeavors, 10 new colleagues joined our team […], Our architect founder, Sebastian Moreno-Vacca, was invited as International Keynote Speaker at the South Pacific Passive House Conference 2020 that will be live-streamed from Sydney, Australia This marks an important accomplishment for A2M: sharing its voice over 6 continents! WINNER of the 2019 FRAME Magazine Awards Entertainment Venue of the Year! As part of the new design, the spaces were first simplified to the essentials by stripping out all decorative surface elements such as stucco, friezes, trim and coffering —also since these were damaged or in poor condition. Ester Bruzkus, Patrick Batek, Ulrike Wittenbach (for Bruzkus Batek). So the design idea was to make a Poke restaurant that was as relaxed as a day at the pool. The design begin with OMA’s Master Plan which separates the building into four quadrants, each with its own distinctively geometric atrium. Our office been developing the interior corporate identity for the AZIMUT Hotel chain for more than three years. A very selective use of exquisite vintage-style furniture introduces striking accents of color and continues the "mix & match" idea. Colors and patterns and textures and materials meet to create a dialogue between discrete pieces of the design. LPH 1-5 Interior Design, Furniture Design, Ester Bruzkus, Julia Mair, Martina Durrant, Grégoire Hubert, Dominika Taklova, Minwon Kim (for Bruzkus Batek). The original material palette consisted of bright blue epoxy floors, wood exterior doors, metal grating and exposed concrete. A modern dream of an old Berlin that is the best of old and new. Intimement impliquée aux notions nouvelles de développement durable, notre équipe très dynamique et innovante, poussée par l’évolution technique et réglementaire, notamment l’efficacité énergétique de votre construction, saura mener votre projet avec soin, et ce, depuis la phase conception. — French proficiency required (Dutch or/and English is a plus). This metamorphosis – which well began over 10 years ago – continues to take shape before our very eyes through its commitment […], Can we imagine carbon neutral holidays? The adjacent salon with its four styling chairs is seen through two openings in the dividing wall. Or, as Le Corbusier famously wrote in 1923: “Architecture is the masterly, correct and magnificent play of volumes brought together in light.”, Ester Bruzkus, Patrick Batek, Ulrike Wattenbach (for Bruzkus Batek). The floor is black mastic asphalt; the walls are of dark timber and mirrored slats. The material palette is dominated by glass, polished wood walls, leather, wood parquet, and marbles to create a sultry ambiance for hanging out and dining in. Ronald Lauder made it possible through his Ronald S. Lauder Foundation. The kitchen cupboards, constructed of light-colored wood, blend into a single volume until the doors are opened. A millwork door in the hallway serves a double purpose to help choreograph these use patterns: it usually aligns with the hallway but opens perpendicularly to direct guests away from the private quarters to the roof terrace. Mons has established itself as a breeding ground for culture in Wallonia. The pale wood floor-to-ceiling slatted cladding evokes the individual layers that make up the flesh of a fish. The bar is detailed in a similar way to the reception desk but is rendered in a deeply veined red marble, also with brass. On the floors with hotel rooms, corridors each have distinct colors that extend over the walls, ceilings and floor - and extend into the guest rooms, where they end with the contrasting bright white. Built-in cabinetry and furniture are treated like large masses too – the kitchen is a large block of green forest marble; the couch and piano define a living area around a stripe of stone that becomes a hearth. Ester Bruzkus and Patrick Batek developed the new vision for the AZIMUT international chain of hotels. Yesterday we held a planning meeting with almost every member of our teams in Brussels, Lisbon and New York.It was also an opportunity to welcome our 5 new […], With the building permit in our hands, this marks the start of a new life for the City Gate I project: Marchandises! The planning of the fashion area rotates and overlaps the OMA square to offer users angled views and to establish inner and outer planning zones. 34 Jahre und 1 Monat, Dez. These dense centers of exchange are defined by edges, paths and colorful displays and the new planning introduces a contemporary vision of a "street" between "façades" of contrasting materiality, surrounding an open "marketplace" - all marked by color, texture, transparency and reflectivity. Minimal but expert use of light gets the most important areas to shine. The detailing reveals the inherent qualities of the materials - what they look like in cross-section, their thickness and depth, and how the different materials make outside corners. This fireplace occupies the center of the restaurant that opens laterally to a jungle-like courtyard garden. Dragonfly was the first venture outside of Germany from Michelin Star Chef Tim Raue. The main focus of this design is to create a space which doesn't reflect standards features of a dental practice. Indeed, […]. An exclusive herringbone pattern oak floor runs through the entire apartment. Translucent entrances, recessed into niches, underline the structural aspect of the wood-panelled volumes, while letting light into the reception area. – This will be the new reality at Spa, where we will build Belgium’s first energy and CO2-neutral holiday village! Custom meeting tables are made from painted steel frames with linoleum tops in different colors; workshop chairs have been purchased in the different colors of the rooms. The kitchen is an explosion of spectacular black and white granite - with a pattern that recalls Jackson Pollock’s black splash paintings. The AZIMUT Ufa lies at the entrance to the Ural, in the capital city of the Republic of Baschkortostan. Ester Bruzkus, Peter Greenberg, Gizzem Cinar, Lukas De Pellegrin, Damla Baykaldi, Dominika Taklova. De la part de ╳ L'e-mail entré semble incorrect. The walls of the interior space are simply made from a curved grid of wooden slats that frame the red neon-lit logo on the interior wall. Amano Group / R&S Hotelbetriebsgesellschaft mbH, Ester Bruzkus, Patrick Batek, Sabrina Cegla, Christian Raukatz, Denise Schulz (for Bruzkus Batek). The design for a photographer’s Berlin loft is a convergence of the architect’s and the photographer’s vocabulary: a conversation between light, form and materials – and the opportunity to infuse black and white with color. Ester Bruzkus, Patrick Batek, Anke Müller, Minwon Kim (for Bruzkus Batek). In the doctor’s office, medical equipment is concealed behind handleless cabinets from white Corian, flush with backlit wall panelling. Le Moniteur. The waiting area recalls a hotel lounge with its library, marble planter and furniture - dental treatments and implants are forgotten here. Ester Bruzkus, Patrick Batek, Anke Müller, Alina Holtmann, Julia Mair, Veronika Chikova, Katja Schuster, Minwon Kim (for Bruzkus Batek). Our design is based on principles of #wellbeing and #health at work. Each shop facade will be composed of its own distinctive material. This interior architecture represents the demanding cool attitude of youth and the contrasts that are Berlin. This play between black and white sets the framework for other colors and materials. Dynamic, enthusiastic and determined, this city never ceases to grow in strength and stature. All of the benches are custom designed by Ester Bruzkus Architekten in fabrics and solid brass trimmings, but the freestanding chairs have been selected from other noted designers: the chair in the elephant room was designed by the Danish designer Hans Olsen and is called the Gesture Chair, designed in the 1950s. The "Library" refers to former "Study"; The "Vanity room" is based on space of lady. Philippe […], We’re looking for passionate, talented people to join our team in Brussels! A triangular welcome desk resolves the complicated geometry of the site so that the dining areas have a placid atmosphere. Remaining true to their high aspirations and to their restrained style, the architects have created a series of modern and charming three-star-plus hotels with a warm yet unpretentious atmosphere. Visitors enter in the center of the space, where they are greeted by the reception desk - a polished cube of black stone. Excepting the external dimensions and the staircase and elevator core, the ground plan and design of this apartment was completely in the hands of the architects. In the central room, a large custom table with a red metal frame supports a black-and-white terrazzo top as a colorful and surprising contrast. While the ceilings were left as the underside of the prefabricated concrete structural members, the original bright blue epoxy was coated with a cool gray concrete topper. Throughout the apartment, exquisite detailing and material selection offer a minimalist interpretation of an old possible design. The different patterns are likewise a playful montage of materials including vintage designs from from Richard Morris & Co and the Swedish designer Estrid Ericson. The walls are and sliding doors are clad with vertical wooden slats so that they blend together into a rich material plane. The 115 standard rooms and 48 apartments are furnished using a clear, modern formal language and a restrained color scheme. An extra-long curtain can separate the kitchen space from the assembly space for big event events and conferences – or to just change the mood. Join LinkedIn today for free. The most dominant spatial element is the central and communicative kitchen block with integrated seating, for example, for breakfast on the go. The design of the interiors for the KaDeWe Flagship Retail for the contemporary women’s fashion department is an ongoing collaboration between Ester Bruzkus Architekten and Batek Architekten. Ester Bruzkus, Peter Greenberg, Svenja Bechtel, Martina Durrant, Arianna Petrulli. The design concept was to make each hall excitingly different to challenge the idea of a room for cinema as a neutral “black box.”. Meine, Natalie Ziesemer, Marie-Lou Roederer, Henrieke Kayser, Martina Durrant, Cecilia Buffa, Minwon Kim. Ester Bruzkus, Patrick BateK, Anke Müller, Minwon Kim (for Bruzkus Batek). Sebastian Moreno-Vacca and Manon Meskens have been invited as presenters at AIBC’s 2020 Fall Professional Development Series in British Columbia. EBA’s first apartment in the building totally transformed the original idea of the flexible loft by introducing a series of fixed and specific boxes made from rich materials and colors: white statuario marble, warm woods, deep pinks, jet blacks: all contrasted with the exposed concrete. The new design - Ester’s Apartment 2.0 - is an expression of both restraint and opulence through its efficient planning, its playful use of color, its exceptional lighting, its custom-designed furniture, and its carefully detailed material volumes. The outer zone will be defined by façades for the different brands that will have distinctively different material presences: metals, polycarbonates, laminates, colored glasses, etc. A walnut-panelled box containing additional features such as the wardrobes, guest bathroom, library, and kitchen cabinets, encloses the elevator core. Ester Bruzkus, Holger Duwe, Miriam Nicolai, Minwon Kim (for Bruzkus Batek). On special request, guests are welcomed into the show kitchen at the bar’s white Carrara marble counter to have a private dining experience. In the simple, pure white corridors, a purpose-made patchwork carpet of "classical" hotel patterning ensures a contemporary and refreshingly new interpretation of the grand hotel motif. The opposite hallway is colored dark anthracite and features light installations from PSLab. The strategy involved introducing a set of lowered outdoor rooms to make sunken gardens which extend access and light to lower levels of the existing building. We developed different schemes with the same furniture components to optimize the flexibility, individuality and team spirit for different kinds of work styles. projet AFD - Villes Méditerranéennes et Développement Durable avec le cabinet d'architecture catalan ERV. Made of the same oak typically used for champagne boxes, its location directly next to the kitchen allows guests a perfect view into the interior of Tim Raue’s sanctuary. The kitchen area is the center of the upstairs area and features a long freestanding counter with seating, inviting communication between staff as they enjoy their food or as an informal meeting area. Diplômé de l'école d'Architecture de Nantes le 7 mars 1988 Enseignant vacataire «cycle dplg2» de 1996 à 1998 à l'E.N.S.A.N. A penthouse for a married couple near Ludwigkirchplatz in Berlin Wilmersdorf. Movable folding tables and stacking chairs can be rearranged to generate different scenarios - lunch breaks, skype meetings with other companies, game nights, lectures, all sorts of events. The walls are clad in dark woods and mirrors, and are covered with framed art and memorabilia. Ester Bruzkus, Patrick Batek, Lukas De Pellegrin (for Bruzkus Batek). In contrast to the bright atmosphere on the ground floor, the corridors are kept dark. The rich material palette of extruded and foamed metals and resins is contrasted with special polychromatic elements to suggest featured moments of product presentation. Refreshing as a dip in the pool! The large overhead rings of light were designed by Ester Bruzkus Architekten. Ester Bruzkus, Patrick Batek, Felix Bentlin (for Bruzkus Batek). Saturated in different hues, each room celebrates the historic legacy of the Villa and furnishes it with comfortable settings made from carefully curated materials and textures. The volumes that make up the kitchen are framed by overhead rings of lighting, enhancing and unifying the clean and transparent design. Precise spatial and material interventions transform the industrial loft into effective work space by introducing a limited palette of solid and translucent materials.

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